Exit, pursued by a bear: Animals in film studios

You last read about Scruffy, this time Richard Farmer, Eleanor Halsall and Carla Mereu-Keating investigate the wider use of animals in British, German and Italian studios. Britain likes to think of itself as a nation of animal lovers, and the numerous stories in the trade and lay press would appear to give some credence toContinue reading “Exit, pursued by a bear: Animals in film studios”

Scruffy: Canine Star of British Studios

By Richard Farmer and Sarah Street We recently came across an intriguing feature in the French journal Pour Vous (thanks to Sue Harris) about a British film star. Published in February 1940, after the start of the Second World War, but prior to the German invasion of France, the article has a pretty conventional ‘day in theContinue reading “Scruffy: Canine Star of British Studios”

Waiting in the Studios

By Morgan Lefeuvre And here I am in Paramount’s European studios. […] hustle and bustle everywhere. A huge bus has just spilled a whole army of employees into the courtyard… typists, translators, draughtsmen, technicians… a swarm of smiling, cheerful young people… Stagehands in overalls hurry towards the studios, carrying things, heavy ‘cameras’ on their shoulders… TheContinue reading “Waiting in the Studios”

Studio Architectures: Vistas and Visions

On 22 and 23 September 2020 the STUDIOTEC project held its first workshop Studio Architectures: Vistas and Visions online. Here the team presents a report of the highlights. Sarah Street introduced the event by welcoming guests Brian Jacobson (California Institute of Technology), Jonathan Mosely (University of the West of England), Dietrich Neumann (Brown University), Angela PicciniContinue reading “Studio Architectures: Vistas and Visions”

Conversations about Studios

To coincide with the recent publication of In the Studio: Visual Creation and its Material Environments, STUDIOTEC’s Sarah Street joined the book’s editor Brian R. Jacobson and two other contributors, J.D. Connor and Rielle Navitski, in a conversation about studios organized and hosted by Light Industry, a venue for film and electronic art in Brooklyn, New York. It wasContinue reading “Conversations about Studios”

Making Italian cinema great again (and again): Founding ceremonies and inaugurations of Italy’s film studios (and their politics)

By Carla Mereu Keating ‘An unforgettable day’: The inauguration of the Cines-Pittaluga studios  Showcasing state-of-the-art infrastructure and technology, the highly mediated re-opening of the historical Roman studios Cines by entrepreneur Stefano Pittaluga inaugurates not only the beginning of Italy’s sound film production but also a long-lasting entanglement between the film and media industries and theContinue reading “Making Italian cinema great again (and again): Founding ceremonies and inaugurations of Italy’s film studios (and their politics)”

Eating in the Studios: Dining with the Stars?

As we research the many maps, plans, images and contemporary accounts of the studios it becomes clear that as well as being factories of film production they were complex social communities employing a large, varied workforce. As well as practical workspaces including stages, workshops, stores and dressing rooms, many studios housed canteens, bars and restaurants.Continue reading “Eating in the Studios: Dining with the Stars?”