Cricket in British Studios

By Richard Farmer I have recently been doing some research into the sports and social clubs established at British film studios, seeking to understand how the various sporting events, leisure activities and outings they organised functioned as elements of workplace culture. I have also been exploring sporting competitions organised between different studios, and between studiosContinue reading “Cricket in British Studios”

Exit, pursued by a bear: Animals in film studios

You last read about Scruffy, this time Richard Farmer, Eleanor Halsall and Carla Mereu-Keating investigate the wider use of animals in British, German and Italian studios. Britain likes to think of itself as a nation of animal lovers, and the numerous stories in the trade and lay press would appear to give some credence toContinue reading “Exit, pursued by a bear: Animals in film studios”

Scruffy: Canine Star of British Studios

By Richard Farmer and Sarah Street We recently came across an intriguing feature in the French journal Pour Vous (thanks to Sue Harris) about a British film star. Published in February 1940, after the start of the Second World War, but prior to the German invasion of France, the article has a pretty conventional ‘day in theContinue reading “Scruffy: Canine Star of British Studios”

Eating in the Studios: Dining with the Stars?

As we research the many maps, plans, images and contemporary accounts of the studios it becomes clear that as well as being factories of film production they were complex social communities employing a large, varied workforce. As well as practical workspaces including stages, workshops, stores and dressing rooms, many studios housed canteens, bars and restaurants.Continue reading “Eating in the Studios: Dining with the Stars?”