By Catherine O’Rawe In January 1946 the Italian film magazine Star, in a response to a reader’s request for information on how to contact the country’s major studio, Cinecittà, advised him: It’s pointless to address your letter to Cinecittà. The celluloid metropolis has temporarily concluded its proud career with an act of true public usefulness: hostingContinue reading “A State of ‘Agreeable Disorder’: Temporary Film Studios in Post-war Italy”
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Studiotec: Film Studios: Infrastructure, Culture, Innovation in Britain, France, Germany and Italy, 1930-60 