By Carla Mereu Keating As our research on the British, French, German and Italian film studios progresses, the STUDIOTEC team have identified a range of empirical and historiographic resources which document working practices and networks of film production between 1930 and 1960. Approaching the specific question of film labour in Italy, a large body ofContinue reading “Locating studio workers: Notes on Italy’s gendered film labour”
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Studiotec: Film Studios: Infrastructure, Culture, Innovation in Britain, France, Germany and Italy, 1930-60 