The studio as star: Teddington

By Richard Farmer Many film studios appear in films. Of these, some feature as film studios, such as when MGM-British was transformed into the home of Commonwealth Pictures in The Intimate Stranger (1956) or Denham’s similarly pseudonymised cameos in both Thursday’s Child (1943) or We’ll Smile Again (1942). More common, though, are cases where parts of studios are passed off as other kindsContinue reading “The studio as star: Teddington”