A State of ‘Agreeable Disorder’: Temporary Film Studios in Post-war Italy

By Catherine O’Rawe In January 1946 the Italian film magazine Star, in a response to a reader’s request for information on how to contact the country’s major studio, Cinecittà, advised him:  It’s pointless to address your letter to Cinecittà. The celluloid metropolis has temporarily concluded its proud career with an act of true public usefulness: hostingContinue reading “A State of ‘Agreeable Disorder’: Temporary Film Studios in Post-war Italy”

Making Italian cinema great again (and again): Founding ceremonies and inaugurations of Italy’s film studios (and their politics)

By Carla Mereu Keating ‘An unforgettable day’: The inauguration of the Cines-Pittaluga studios  Showcasing state-of-the-art infrastructure and technology, the highly mediated re-opening of the historical Roman studios Cines by entrepreneur Stefano Pittaluga inaugurates not only the beginning of Italy’s sound film production but also a long-lasting entanglement between the film and media industries and theContinue reading “Making Italian cinema great again (and again): Founding ceremonies and inaugurations of Italy’s film studios (and their politics)”